Tri Colour Studio

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Tri Colour Studio

Lynne Grillmair

Lynne Grillmair was born in Vancouver in 1947, but spent her early years in the Similkameen and Fraser Valleys respectively. She attended the University of British Columbia from 1965-69, graduating with a Fine Arts degree. She was fortunate to be able to study under the direction of B.C. Binning and Tony Only, both well-known B.C. painters.

After graduation, her painting aspirations were put on the backburner in order to earn a living in the "real world". She was hired by a small heli-ski company, Canadian Mountain Holidays, to cook at their new lodge in the Bugaboos. There she met her husband, Leo, and for 20 years they managed the lodge together.

An unexpected illness in 1989 terminated Lynne's career in the chef's arena. With the help of her husband she was able to pursue her lifelong dream of becoming a painter. In 1990-91 she attended the Alberta College of Art. In the following years she attended workshops by well-known water media painters like our local Treva Burton, Jack Reid, Jean Pederson and most recently, experimental artist Mary Todd Beam. It has been through these workshops that Lynne has honed her craft, discovering the myriad of possibilities in expression that water media together with other materials such as gels, acrylics, opaque pigments, metallics, found papers and objects provide. It is an exciting exploration that has steered her in diverse directions in the search for her own voice.

Lynne continues to paint traditional watercolor landscapes using an intense palette, often with the three primaries alone and many layers of diluted color. She is exploring a more personal expression creating abstract works with personal symbols and images. This is new territory and very exciting for the artist. Lynne is represented by "The Kootenay Gallery" in Invermere and "The Point of Art" in Calgary. Her work can also be seen in Strand's and Myrtle's Restaurants in Invermere.

Naturalism - Artist's Statement

Lynne uses watercolour in the traditional manner of wet-in-wet to execute paintings on location to capture a moment in the landscape, or a light pattern on a still life arrangement in the studio. 

"Jumbo Pass" / SOLD

"The Matriarch" / 12in x 19in / Cdn$350

"Hilltribe Farms" / 14in x 17in / Cdn$350 "Tuscany Town I"

Mixed Media - Artist's Statement

These paintings are experiments and explorations using a variety of art materials - collages, metallics, fluid acrylics, foil etc. The pieces are concerned with design, composition, texture and colour. While images are present, there are also personal and exotic calligraphy marks which punctuate the surface and keep the eye engaged as well as creating interesting abstract patterns. 

"Ladders Home" / 17in x 30in / Cdn$800 "Vessels With Portrait" / 16in x 22in / Cdn$550

"Golden Horn" / 7in x 7in / Cdn$85

"Spring in the Alpine" / 17in x 30in / Cdn$800

Celebrating Life - Artist's Statement

After taking an experimental workshop with artist Mary Todd Beam, Lynne was inspired by the characters created from plastic bag cutouts of cookiecutter-like figures. Since the plastic slips as it is being cut, there is always a variation - usually a deformity in the individuals that form the group. It is like two people wearing the same outfit, using the same gesture perhaps but being different at the same time - repetition with variety. 

It was Matisse who felt that painting should be a joyful expression of life. It was this philosophy that was instrumental in executing the narratives of these paintings. 

At the beginning of the series, the artist followed quite closely the compositional suggestions of Beam. But as she progressed through the series, she started to play more with the framing as well as delving into specific figures from art history - cave painting. Egyptian murals, ethnic folkart and contemporary art were sources of flights of fancy. After visiting the Museum of Modern Art in New York, she saw Roy Lichtenstein take Matisse's "The Dancers" and use it in his work. She not only used these beautiful forms but also took Chagall's fiddler, Degas' dancers and the Navaho trickster/musician, Kokopeli, and wove them into different pieces.

We all come from the same place. Ken Burn's analysis of American history through jazz inspired the depiction of jazz musicians which also harken back to Matisse's Jazz Series. The art of play, very much a part of the art making process, is Lynne's attempt to communicate the feeling of being, of camaraderie, of joy in this "Celebrating Life" series. It is through play that discoveries are made. Play encourages the "What if?" journey.

"Aire On A Cello Wine" / 13in x 30in / Cdn$700